Where is wolfgang amadeus mozart from

This led to further opera commissions. He returned with his father later twice to Milan August—December ; October — March for the composition and premieres of Ascanio in Alba and Lucio Silla Leopold hoped these visits would result in a professional appointment for his son in Italy, but these hopes were never realized. Tanzmeisterhaus, Salzburg, Mozart family residence from ; reconstructed Toward the end of the final Italian journey, Mozart wrote the first of his works to be still widely performed today, the solo motet Exsultate, jubilate , K.

After finally returning with his father from Italy on 13 March , Mozart was employed as a court musician by the ruler of Salzburg, Prince-Archbishop Hieronymus Colloredo. The composer had a great number of friends and admirers in Salzburg and had the opportunity to work in many genres, including symphonies, sonatas, string quartets, masses, serenades, and a few minor operas. Between April and December , Mozart developed an enthusiasm for violin concertos, producing a series of five the only ones he ever wrote , which steadily increased in their musical sophistication.

The last three—K. In Mozart turned his efforts to piano concertos, culminating in the E-flat concerto K. Despite these artistic successes, Mozart grew increasingly discontented with Salzburg and redoubled his efforts to find a position elsewhere. One reason was his low salary, florins a year; Mozart longed to compose operas, and Salzburg provided only rare occasions for these. The situation worsened in when the court theater was closed, especially since the other theater in Salzburg was largely reserved for visiting troupes.

Two long expeditions in search of work interrupted this long Salzburg stay: Mozart and his father visited Vienna from 14 July to 26 September , and Munich from 6 December to March The painting is a copy of a work now lost. In August , Mozart resigned his position at Salzburg and on 23 September ventured out once more in search of employment, with visits to Augsburg, Mannheim, Paris, and Munich.

Mozart became acquainted with members of the famous orchestra in Mannheim, the best in Europe at the time.

He also fell in love with Aloysia Weber, one of four daughters of a musical family. There were prospects of employment in Mannheim, but they came to nothing, and Mozart left for Paris on 14 March to continue his search.

One of his letters from Paris hints at a possible post as an organist at Versailles, but Mozart was not interested in such an appointment. He fell into debt and took to pawning valuables. There had been delays in calling a doctor—probably, according to Halliwell, because of a lack of funds. While Mozart was in Paris his father was pursuing opportunities of employment for him in Salzburg.

With the support of the local nobility, Mozart was offered a post as court organist and concertmaster. The annual salary was florins, but he was reluctant to accept. By that time relations between Grimm and Mozart had cooled, and Mozart moved out. After leaving Paris in September for Strasbourg, he lingered in Mannheim and Munich, still hoping to obtain an appointment outside Salzburg. In Munich he again encountered Aloysia, now a very successful singer, but she was no longer interested in him.

Mozart finally returned to Salzburg on 15 January and took up his new appointment, but his discontent with Salzburg remained undiminished.

Among the better-known works that Mozart wrote on the Paris journey are the A minor piano sonata, K. The Mozart family c. The following March, Mozart was summoned to Vienna, where his employer, Archbishop Colloredo, was attending the celebrations for the accession of Joseph II to the Austrian throne. The resulting quarrel came to a head in May: Mozart attempted to resign and was refused. Their mother, who fortunately for herself was fond of music, was a kindlier presence, but she deferred in all things to her husband.

From the ages of five to fifteen, Wolfgang was in Salzburg for less than three years altogether, as Leopold took the children and sometimes their mother on a succession of tours. Goethe heard them and was hugely impressed. After a seasick Channel crossing to England in , they performed for George III and Queen Charlotte, and a musical expert called Daines Barrington set the seven-year-old Wolfgang exhaustively difficult sight-reading tests, which he sailed through with the utmost ease.

At Versailles Queen Marie Leczinska chattered to him in German and fed him titbits with her own hand. Fortunately, Leopold and Wolfgang both readily picked up foreign languages, and the whole family had stamina. They coped with smallpox and various childhood ailments and with fleas and bugs in the beds at inns. Young Wolfgang, as his father said, was bewitching. Constanze and Mozart had six children, though only two survived infancy, Karl Thomas and Franz Xaver. As turned to , Mozart became enthralled with the work of Bach and George Frederic Handel and this, in turn, resulted in several compositions in the Baroque style and influenced much of his later compositions, such as passages in Die Zauberflote The Magic Flute and the finale of Symphony Number During this time, Mozart met Joseph Haydn and the two composers became admiring friends.

When Haydn visited Vienna, they sometimes performed impromptu concerts with string quartets. Between and Mozart wrote six quartets dedicated to Haydn. With the substantial returns from concerts and publishing, he and Constanze enjoyed a lavish lifestyle.

They lived in one of the more exclusive apartment buildings of Vienna, sent their son, Karl Thomas, to an expensive boarding school, kept servants, and maintained a busy social life. In , Mozart and Constanze traveled to Salzburg to visit his father and sister.

The visit was somewhat cool, as Leopold was still a reluctant father-in-law and Nannerl was a dutiful daughter. But the stay promoted Mozart to begin writing a mass in C Minor, of which only the first two sections, "Kyrie" and "Gloria," were completed.

In , Mozart became a Freemason, a fraternal order focused on charitable work, moral uprightness, and the development of fraternal friendship.

Mozart was well regarded in the Freemason community, attending meetings and being involved in various functions. From to , Mozart divided his time between self-produced concerts as soloist, presenting three to four new piano concertos in each season.

Theater space for rent in Vienna was sometimes hard to come by, so Mozart booked himself in unconventional venues such as large rooms in apartment buildings and ballrooms of expensive restaurants. During one five-week period, he appeared in 22 concerts, including five he produced and performed as the soloist.

In a typical concert, he would play a selection of existing and improvisational pieces and his various piano concertos. Other times he would conduct performances of his symphonies. Despite his success as a pianist and composer, Mozart was falling into serious financial difficulties. Mozart associated himself with aristocratic Europeans and felt he should live like one. He figured that the best way to attain a more stable and lucrative income would be through court appointment.

Letters written between Mozart and his father, Leopold, indicate that the two felt a rivalry for and mistrust of the Italian musicians in general and Salieri in particular. But in truth, there is no basis for this speculation. Though both composers were often in contention for the same job and public attention, there is little evidence that their relationship was anything beyond a typical professional rivalry. Toward the end of , Mozart met the librettist Lorenzo Da Ponte, a Venetian composer and poet and together they collaborated on the opera The Marriage of Figaro.

It received a successful premiere in Vienna in and was even more warmly received in Prague later that year. This triumph led to a second collaboration with Da Ponte on the opera Don Giovanni which premiered in to high acclaim in Prague. Both compositions feature the wicked nobleman, though Figaro is presented more in comedy and portrays strong social tension. Perhaps the central achievement of both operas lies in their ensembles with their close link between music and dramatic meaning.

The gesture was as much an honor bestowed on Mozart as it was an incentive to keep the esteemed composer from leaving Vienna for greener pastures. It was a part-time appointment with low pay, but it required Mozart only to compose dances for the annual balls.

The modest income was a welcome windfall for Mozart, who was struggling with debt, and provided him the freedom to explore more of his personal musical ambitions. He was performing less and his income shrank. He got better, though, and in alone composed the most famous The Magic Flute, the Requiem unfinished , and the Clarinet Concerto. Mozart did not live long enough to complete his Requiem. He died in Vienna, in , before his 36th birthday.

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